I’ve had this gorgeous solid heavy red wool crepe in my stash for over two years, but as the trees began to turn, it felt like the right moment to finally cut into it and make something bright to wear on dull autumn days.
I used New Look 6346 – a really simple flared skirt pattern with two basic variations and a contoured waistband. I opted for view D, with the plain front and an invisible zip at the centre back. I also considered the Sewaholic Hollyburn pattern, but didn’t want the centre-front seam.
This pattern has so much hack potential – I’d like to try adding pockets or belt loops and a midi version would be great for work. On the down side, I think it comes up a bit large. I originally cut the size 18, based on my body measurements, but ended up downsizing to a 16 so that the skirt would sit neatly at the waist.
Because the heavy wool crepe fabric is a bit itchy, I opted to use a scrap of quilting cotton for the waistband facing, and also to add a contrasting lining. This tutorial helped me work out how to construct the skirt with the lining included.
And for a super-smart finish, I hand-stitched the skirt hem using a bias facing finish. There’s something about wool – I just can’t quite bring myself to machine the hems.
Looking at the results, I think I might end up removing some of the flare from the skirt in this heavy fabric – and I definitely need to put more thought into what to wear with it (long brown boots? chunky knitwear?). But to begin with, I’m just going to wear it around a bit and see how it feels.
I’m stuck in a style rut. Somewhere in the last ten years, I stopped paying attention to my wardrobe and began to accumulate clothes that don’t fit; clothes that are worn out; and duplicates of things I already own. I think I know how this happened.
It’s ten years this month since I gave up my supposedly high-flying job in London and retreated out of the City to run my own business. Later, I became a dog-owner and then a parent, so the stretchy, machine-washable, goes-with-trainers section of my wardrobe expanded. And the ten minutes I used to spend thinking about what to wear each day evaporated into a sea of nappies, porridge flinging and school runs.
I’ve decided I need some help to solve this problem. And since my budget won’t stretch to a personal shopper, I bought a copy of Anuschka Rees’ book, The Curated Closet, and settled down with a cup of tea.
I like this book. Yes, it does tell you to spend, like, a whole day on Pinterest. But it’s also methodical and systematic. No sane person is ever going to follow all the ideas in the book to the letter, but there’s enough there to get me thinking. It doesn’t duck out of the difficult conversations like dressing to suit your shape, but neither is it Trinny-and-Susannah prescriptive.
Chapter 2 suggests that people in my position start by recording what they do wear for two weeks. I keep forgetting (!) but the collage above shows the clothes I’ve lived in over the last month or so.
What did I notice?
I live in trousers, partly due to problems with my feet which makes finding shoes harder, so I’d like to find more shoes/boots that would go with skirts, and that can cope with a lot of walking, some of it on muddy tracks
I don’t wear a lot of prints, unless stripes count as a print?
There’s a lot of blue, green and grey in my wardrobe – I’m not wearing my other favourite colours
My uniform is a stripey T-shirt, jeans and a jumper. It’s practical, but I’m also bored by it.
None of my jeans fit as well as I’d like. Sadly, even my handmade Gingers have stretched out since I finished them, and no longer have the fit I was aiming for. I really, really want to sort this out.
The shirt collar looks nice – why don’t I have more shirts?!
Where do I want to get to?
My wardrobe has two personalities but neither of them are really like me.
I have clothes I wear day-to-day, and then more glamorous going-out clothes that I don’t wear often. My day-to-day clothes are boring and scruffy, but my going-out clothes are largely a bit OTT for daily life, and I’d like the two halves to move closer together. I’d like to look more chic and put-together without losing practicality. And for client meetings, I need something that looks professional, but ideally it would mix and match with the rest of my wardrobe for other occasions too.
I really struggle with what to wear on my pear-shaped bottom half and I need to learn to flatter my current shape with modern styles rather than dressing the way I did five or ten years ago.
I’d like my clothes to have more structure, more style and creativity about them, but without losing the relaxed feel I need to be comfortable working at home and scurrying around after a four-year old.
And lastly the colours, prints and patterns in my wardrobe don’t really coordinate. I’d like to organise this and finding things that will link them together.
That’s my challenge for the months ahead. Have you worked through a wardrobe review like this? (Maybe Colette’s Wardrobe Architect series?) Did you find it useful, or does this sort of thing come naturally to you?
I managed to wangle a day off work yesterday, so to get over missing out on the Sewing Bee Live event this weekend, I took a trip to a local fabric producer up the road near Tewkesbury. I thought I’d share a few pictures and some info in case you’re curious.
Beckford Silk is a family-run silk printing and dyeing business that’s been going for around 40 years. From their workshop in Gloucestershire, they use screen and digital printing to create some beautiful designs on around a dozen different silk fabrics. Lots of their fabric is turned into scarves for museum and heritage clients (think National Trust gift shops), but they also sell plenty of solid-coloured and printed silks by the metre for dressmaking.
If you visit, as well as the shop and a cafe (with sublime fresh scones!), there’s also a small visitors’ centre room. Here you can watch a film about the printing process and the history of the business. There are large swatches of the different fabrics to examine and a fantastic display of old printing blocks on one wall.
There’s a range of different printed silks available to buy in the shop – my favourites included this, and this. Plus there’s a even larger range of solid colours. If it were payday, I think I’d have succumbed to this oxblood silk velvet, and a metre or so of this deep red heavy crepe de chine – perfect for a slinky-but-office-appropriate woven t-shirt.
After my first experience of working with slippery silk fabrics earlier this year, I’m now definitely inspired to try something else in silk soon. The new Liesl + Co Chai Tee pattern stood out as a potential silk make for me this week. Or a dressing gown, perhaps?
Have you sewn with silk, and which substrate would you recommend as the easiest to begin with?
If you’ve got a bit longer to spend in the area, there are two awesome things to do nearby:
On a clear day, take a walk up Bredon Hill for fantastic views of the Cotswold ridge, May Hill, the Malvern Hills and beyond to the Brecon Beacons.
On a cold, wet day, head over to Tewkesbury High Street and seek out Cafe au Chocolat. The speciality hot chocolate is to die for…
I very nearly came home with some of this gorgeous textured wool – perfect for a new coat, don’t you think?
Two fabrics I bought last year – both soon to made into garments that I hope I’ll wear for years and years.
I don’t like to think of myself as shallow, but I do love a bit of shopping. Not the buying – that’s always painful – so much as the looking, and contemplating the possibilities.
As the parent of a four-year old, I haven’t spent much of the last four years pondering, browsing, or pottering about. Much like the dog, my son has a three-shop limit. So a trip to a fabric store without anyone whining “Muhhh-meee, can we go now?”, is a rare treat to be savoured, relished and positively luxuriated in.
Thanks to DH, one time that I get to do this is on holiday. He has no interest in shopping either, but he does willingly look after both boy and dog while I browse. I’ve really enjoyed visiting different sewing shops in some off-the-beaten-track locations (like Bentham in North Yorkshire), and getting a little snapshot of the sewing habits of each town.
And because I also really, really love maps, I decided to keep a record – a sewing shop map, plotting the sewing shops I’ve visited in Britain.
Sewing shops don’t always have flashy websites, or even social media accounts, so it can be a bit of a mission tracking them down online and working out what they do and don’t sell. In case it’s useful for anyone else, I’ve made my map available to access on Google maps, and included a short description of each one with a date, so you know whether it’s up-to-date or not.
I’m heading to the Isle of Wight in October, so let me know if there’s anywhere you’d recommend I visit there!
My sister Alice got married last weekend, so this is what I wore to be one of her bridesmaids.
(I have a feeling that technically I was a matron of honour rather than a bridesmaid, but no one knows what that means, so I’m sticking with bridesmaid.)
Alice and her new wife, Kate, let us choose our own dresses. The only rules were that it had to be a dress, and it had to fit with the day’s blue/turquoise/silver colour palette. We don’t live close to each other so we each chose our own dresses and only saw the others’ dresses on the day. (If I can get one or two of the professional photos to share I’ll try to remember to add them here.)
I opted to make Sew Over It’s Betty dress, which probably doesn’t need an introduction. It’s a simple darted bodice, with a slash neckline at the front and a V at the back. It fastens with an invisible zip up the centre back, and the neckline and armholes are finished with a combined facing. The pattern is fabric-hungry because it has a knee-length circle skirt.
In cotton, this pattern is a great first dress for a beginner sewist. There’s nothing very tricky in the construction, and the darted bodice is the one that most fitting tutorials use as an example. The instructions are pretty clear and there’s also an online sewalong.
What I really love about this dress is the possibilities it offers. Sew Over It have released an add-on pack, with a scoop-neckline variation and a set of sleeves. But you could also try drafting these at home, add a lining or attach this bodice to any skirt you please. There are so many great variations and hacks around to choose from.
First time out, I stuck with the suggested fabrics and chose a medium-weight cotton in this gorgeous swallow print from Guthrie & Ghani. I squeezed mine out of 4.3m, despite lengthening both the bodice and the skirt.
I made two toiles to get the fit right – you can read about those here. In the end I made the following alterations:
added 1″ to the bodice length just above the waist
added 1″ to the skirt length at the bottom
graded from size 12 at the shoulders to size 14 at the waist
did a 2″ FBA and moved the bust dart both up and back from the apex
removed a tiny 1/8″ from each outer shoulder as a sloping shoulder adjustment
1/2″ swayback adjustment at the back waist
removed a little vertical distance from the right side at the waist seam to allow for my shorter side
re-drew the facing pieces to mirror the changes to the bodice.
If I were making it again, I’d also tweak the fit at the back a little – possibly a narrow back adjustment or taking larger back darts. And I’d increase the sloping shoulder adjustment on my right.
If you need to alter the bodice of this dress to make it fit you, the pattern doesn’t help you much. There are no lengthen/shorten lines marked, and nor are the bust apex or the natural waistline. Not deal breakers, and one or two tutorials are on the SOI website, but a similar Big 4 pattern would include these markings.
The instructions tell you to staystitch the back neckline, but I’d suggest you also do this to the front neckline and the facing.
If you can sew an invisible zip, you can make this dress. The trickiest part is the facing, which doesn’t feel intuitive the first time you try it, but does (honestly) work in the end. If you’re struggling with the SOI instructions, you could try reading this Threads tutorial, which also helped me to get my head around it.
I made two small changes to the inside. I finished most of my seam allowances on the overlocker, but for the facing, I used some pink bias binding I had lurking around. You’ll need to make sure that your bias is really lightweight so it doesn’t add bulk, but it adds a nice contrast in a place where you’ll see it every time you put the dress on.
Secondly, I decided to overlock and then hand catchstitch the hem rather than turning it up twice and machine stitching it as the instructions recommend. I’ve had problems in the past machine stitching curved hems – they tend to creep sideways on me, creating diagonal wrinkles in the hem. A machined blind hem would also work well in a medium-weight cotton like this, especially if you tack it in place first.
I gathered the excess fabric in the hem curve using my overlocker. I don’t have a special gathering foot for it; I just fiddled with the differential feed setting, practising on scraps until it produced the right degree of curve. I used this to finish the edge and gather (just ever-so-slightly) in one, then pressed it up with plenty of steam ready to stitch. The handstitching was a pain (did I mention this is a humungous circle skirt?), but I do think it gives a nicer finish, and I had some TV to catch up on…
The wedding went off without a hitch – apart from the actual hitch, of course.
Although I’ve been quiet on the blog this month, there’s plenty of sewing going on. Some successful, some less so. Here’s what I’m up to this week:
I’ve just, just finished handstitching the enormous hem on this, and it’s all ready to photograph. I just have to decide whether to take my own pictures for the blog, or see if I might be allowed to use the professional ones from the wedding.
A short-sleeved Fairfield shirt
This was originally intended as secret squirrel surprise sewing for Mr Wardrobe’s birthday last week. It’s almost finished: there’s just a bit of finishing on the collar to do, plus the hem, buttons and buttonholes. But there’s one small problem. When he tried it on, we both remembered why he doesn’t own any short-sleeved shirts – they actually don’t suit him. His arms look weirdly stick-like and this shirt really brings out the geek in him. So now I need to either abandon it, or find another Mr-Wardrobe-shaped owner for it. I might see if my Dad would like to try it on…
Returning to the scene of a previous blunder
Now that 1990s patterns are pretty much vintage in the sewisphere, I dragged out the first pattern I ever attempted (with disastrous consequences, all the way back in 1992) and it’s starting to look quite appealing again now. Since I currently own exactly zero pairs of shorts, I thought this might be fun to try again. Only this time I’ll be making view C in a lightweight tawny linen, rather than View B in a rose-print rayon challis type. (SO not a good fabric choice for a first project – if only my teenage self had listenened to her Mum.)
Stepping up my skirt game
Having worn out my favourite RTW denim skirt this year, my wardrobe definitely needs skirts. So I’m planning a few as we move into autumn. First up, this gorgeous red heavy wool crepe is going to become view D from New Look 6346 – a straightforward flared skirt pattern with a contoured waistband and invisible zip. I was eyeing the Sewaholic Hollyburn pattern orignally, but I already had this one, plus it’s more economical on fabric so that swung it for me.
It’s time for a new knitting project, so I’ve spent some time on Ravelry this week, trying to work out how best to use some yarn oddments I have stashed away. I have four different balls of double knit (one cotton, one alpaca, two merino/cashmere blend) lurking in my stash and absolutely no idea what to do with any of them.
So that’s the next few weeks taken care of, then. Do you keep several projects on the go at once, or do you limit yourself to just one UFO at a time?
I’ve got something different for you today – the first non-garment ever to appear on this blog!
For about two or three weeks now, my brain has been anticipating autumn and winter – I’ve found myself thinking about wool fabrics for my my autumn wardrobe, browsing A/W fashion collections in the September issues, and yesterday I even bought myself a pair of winter mittens I spotted in the sale.
When you move out of a city (I grew up in Leeds, and in my twenties I lived in London), the first thing you notice is how much more influence the weather has on your day-to-day life. Suddenly you’re not moving from one air-conditioned building to another, so the temperature and the climate make the seasons feel much more distinct. If you also have a dog to walk, the effect is magnified because you’re outside in all weathers.
Last year, Mr Wardrobe and I made an effort to get into the hygge trend as a way to combat any winter blues. I’ve always loved winter, but even so, it’s still not easy to occupy an active pre-schooler in a small town on a wet day; there are weeks when the view from the office window is continually gloomy; and the endless mud that the dog brings home can start to get you down.
What seems to help is having the right kit – good-quality waterproofs for dog-walking, a bright light if you’re prone to seasonal affective disorder, and some really cosy gear for those evenings when nothing but a roaring woodburner and a mug of hot chocolate will do the trick.
On really cold nights, I love using a hot water bottle to make the bed all toasty before I sink into it, and this snuggly merino/cashmere blend cover should make it even better. (Plus it stops you scalding yourself if you’ve put too much boiling water in…) I knitted this using yet another pattern from my beginner’s book, Knitty Gritty by Aneeta Patel. It’s pretty simple – if you can knit and purl, you can easily knit this.
The yarn I used is actually an aran, rather than the double knit recommended by the pattern. That was mainly deliberate – and I like the densely packed effect it gives. Beige might not be everyone’s cup of tea, but it goes really well with the bedroom curtains I sewed last year. I wouldn’t say I’m all set for autumn yet, but this takes me one step closer.
Do you love the changing of the seasons, or would you rather it was forever summer?
After last year’s stash diet, I’m pleased to say that my fabric collection is back under control. I’ve set myself a rule, which is that I must not buy more fabric than I can manage to sew! I make an average of just over one garment a month, so I’ve restricted myself to buying just one new length of fabric a month. That leaves me some slack to work through my stash, and to do a bit of scrapbusting on the side.
Yesterday, I got the whole pile out and and tried to work out what’s been in there the longest. I pulled out three pieces that I’m calling the lurkers – fabric from the murky depths I’ve had for more than two years, and that I haven’t yet decided what to do with. I’m hoping you can help me with some suggestions!
Lurker number one
This is my oldest piece – it’s from my Grannie’s stash, which I acquired in 2012, but she probably picked it up decades ago in a remnant sale at a woollen mill. It’s a heavy navy blue wool tweed, and astoundingly, it was even made in England. There’s not enough for a coat, so I’m wondering about a jacket of some kind?
Lurker number two
I bought this embroidered border denim in a pile-it-high fabric shop in Cheltenham two years ago, and it’s been there ever since. It’s not the best quality denim, but the main worry is that I’ve never worked with a border print/embroidered border before – how do I deal with the grainline? And how do I stop a garment made from this looking too, ummm… cowgirl?
Lurker number three
This one has definite possibilities. It’s a heavy-ish wool crepe (yup, I did the burn test) of some kind that I bought at the Worcester Resource Exchange. I’d originally planned to make a Hollyburn skirt, but I don’t think there’s quite enough for my favourite knee-length version. Can you recommend a less fabric-hungry skirt pattern?
So there they are. How would you use any of these? And what’s lurking in the Mariana Trench of your stash?
It’s a free pattern, and great for using up any too-big-to-throw-away-but-not-all-that-useful-really scraps of cotton fabric you have left over – it’s ideal for all those fabulous printed quilting cottons, too. I chose leftovers from the lining of a Schooldays Jacket and my husband’s Fairfield shirt. This gives the hat a sensible side and a silly side – something that seems to run in our family… and anything reversible is automatically exciting to a preschooler.
The instructions are good for a free pattern, and anyone except an absolute beginner could zip through this fairly easily. The only disappointing thing is the sizing – my son is four, and I sewed the largest size, but it’s only just big enough for him. Admittedly, his RTW sunhat is labelled age 7-10, but I’d love it if this pattern would cover him for a bit longer. There are only three pattern pieces, so I might possibly venture into grading if I can find a good tutorial online.
You could have all sorts of fun with this pattern, playing around with trims, colour blocking, piping and so on – there are some great examples on the Oliver and S blog (follow the links at the bottom of the tutorial page). Go, on make a whole stack of them for your favourite small person.
Since my sister asked me to be one of the bridesmaids at her wedding next month, I’ve been pondering what to wear sew. I’ve finally settled on the Sew Over It Betty dress – a full-skirted knee-length dress with a straightforward sleeveless bodice, designed to be sewn in lightweight woven fabric like cotton lawn.
I like the neckline (front and back) on this dress, and once I get it to fit, I’m hoping I can hack this pattern around to make a few variations later. Lisa Comfort has dozens, apparently!
So task number one was to toile the bodice to make sure I could get it to fit. My measurements are currently 39-32-43, so I started by sewing the size 14 with no alterations. Here’s how that looked…
From the front, you can see there’s some puffiness in the front bra strap area, between bust and shoulder. The neckline is sitting quite wide on the shoulders, and it’s obviously too short – take off 1.5cm from the bottom edge and I’m suddenly wearing a crop top rather than something that lands at my waist. On the up side, the bust darts are almost exactly in the right place, so I won’t need to move those.
From the back, again it’s too short; the back looks slightly too broad overall at bust level – a sign that my ‘girls’ are dragging the back piece fowrards; and there’s more sagging at the sides of the upper chest area.
From the side, you can see the side seam is bowing forwards at bust level, but the armscye looks more or less OK, other than the puffiness at the upper chest.
(I’m sorry these photos are a bit grainy – the lighting wasn’t ideal yesterday and I’m still learning how to deal with that.)
Looking at these pictures, I decided to make three changes:
Go down to a size 12, grading out to a 14 at the waist
Add 1″ to the length
Do a full bust adjustment to increase the circumference at the bust back up to the same as the size 14
There’s no lengthen/shorten line marked on the pattern, so I drew my own – about 1″ above the natural waistline (also not marked – grrrr…), perpendicular to the grainline. At this point I also made a note on the envelope to buy a longer zip than it says in the instructions.
For the FBA, I used this excellent tutorial from Mary at Idle Fancy. There are lots of FBA tutorials around, but this one has a kind of all-in-one method so you don’t have to trace off the pattern multiple times. And Mary also reminds you that for a larger bust, you may want to position the dart points further away than the standard 1″ that works well for a B cup.
This time around I also trimmed off the seam allowance on the front and back neckline, and around the armhole to get a better idea of where these would sit on me. Toile number 2 looked like this:
I’m almost happy with this. The length and bust fit well, with fewer draglines pointing to the bust. The only area that’s not working is the upper back at the sides. This could be a couple of things – I usually need a swayback adjustment, but I don’t think that’s the only thing.
In the past, I’ve made narrow back adjustments, but looking at this, I’m wondering if I need a sloping shoulder adjustment.