The horse chestnut trees are just beginning to go golden here in leafy Malvern, and my thoughts are meandering in the direction of coats.
If you’re thinking of making a coat for the first time, I’d encourage you to go for it. Yes, you’ll spend a fortune on fabric. Yes it’ll take a lot longer than a skirt. But you’ll end up with something you could potentially wear every day of the winter for years and years. Plus people are always amazed that you made something as difficult as a coat. I’ve made four so far – one for me (unblogged), and three versions of the same Oliver + S Schooldays Jacket pattern for my son.
Here’s my edit of the five coat patterns I’d love to try this year. (OK, realistically I’ll probably only manage one…)
Top to bottom, left to right, they are:
- V8875, a vintage Vogue dress coat pattern. This fit and flare design has a detachable shawl collar and a tie belt. If I had a wedding to go to over the winter, this would be my go-to pattern. It also formed part of this year’s Great British Vintage Sewalong. I know some sewists have made the dress, but I’ve yet to see anyone make the matching coat. If you’ve seen one in the wild, let me know – I’d love to see how it turned out.
- Lisette for Butterick B6169. I need a moto jacket in my life, definitely. It goes with jeans, trousers, skirts and dresses, and gives you that nonchalant I-haven’t-tried-too-hard vibe that’s the perfect urban antidote to a dress. The recommended fabrics for this are linen and twill, so this pattern would be a good introduction to this style before working up to a full-on leather version.
- Another Liesl Gibson/Butterick collaboration, B6385 is the kind of wool coat I used to wear every day when I had an office job. Wouldn’t this look fabulous in claret or burgundy? Or pretty much any colour that’s named after a wine…? With three different collar options, and four cup sizes included in the pattern, there’s a coat for you here.
- Burda 6772 would take you from early autumn into winter. A slimmed-down version of the classic trenchcoat, this would sew up well in gabardine if you’re going for a Burberry copycat. Or you could use a heavyweight poplin or a jacquard to create a coat-dress. Critically, this pattern is single-breasted, so those of us above a C-cup can avoid the ‘matronly’ effect that a double-breasted trench can create.
- Lastly, I’m still in love with the gorgeous vintage yellow coat that Tamara made in series two of the Great British Sewing Bee. I’ve never managed to find out which vintage pattern she used, but it’s been reproduced in the book that accompanied the second series. There are some fantastic 1960s details in this pattern, like the shoulder and elbow darts – features that just aren’t found in most modern patterns. It’s not a simple project, but it would be a terrific addition to any winter wardrobe. Whether you choose to make it in yellow or not is up to you.
Are you planning to stitch a coat or a cape this autumn? And which patterns are you eyeing up?